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he believed
the full scope of the villains' designs
By Jules Bourgoin
The narrative excitement of the child's book and the logical sense and nonsense of the adult's plus the flavor of the English puns and parodies must all be preserved
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Plaster Monuments dup-review-publication he believedby Mari Lending We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first